Heroes Are Hard to Find

The album was recorded during a low point for the group, with Bob Weston's affair with drummer Mick Fleetwood's wife causing a temporary disbandment. This led to subsequent legal problems when manager Clifford Davis organized a completely new lineup using the Fleetwood Mac name to fulfill their remaining tour dates.^[2]

The band secured an injunction that prevented the fake Fleetwood Mac from performing and Davis also won an injunction that temporarily barred the lineup of Fleetwood, the McVies, and Welch from touring or releasing any new music.^[3] Christine McVie described this period as the "most depressing time" in the band's career.^{[4]: 35:00–36:11}

Welch convinced the band to relocate to America so they could be closer to their record label. Christine McVie was initially hesitant, but agreed to travel with the band to Los Angeles.^[5] Through the help of concert promoter Bill Graham, the lineup of Fleetwood, the McVies, and Welch managed to convince Warner Brothers that they were the real Fleetwood Mac. They negotiated a new contract with Warner Brothers, which allowed the band to release and perform music under the name Fleetwood Mac. The legal dispute with Davis was eventually settled out of court.^[6]

Heroes Are Hard to Find was mixed at Angel City Sound in Los Angeles by Bob Hughes, who also served as a co-producer and engineer on the album.^[7] The title track was edited and issued as a single and failed to chart. Despite the lack of a charting single to support Heroes Are Hard to Find, the album still managed to peak at No. 34 on the Billboard 200 chart, which at the time was the highest Billboard placing for any Fleetwood Mac album.^[8] It also reached No. 5 on the Billboard FM Action chart.^[9] Christine McVie recalled that the band was disappointed with the album's commercial performance and expected it to chart higher. They were also displeased with the attendance of the album's accompanying tour, which failed to exceed a quarter capacity in some instances. During the band's performance in Las Vegas, Christine McVie said that Welch "screamed" at John McVie over a supposed mistake he had made onstage. Welch left Fleetwood Mac after the conclusion of the tour and was on more amicable terms with the band at the time of his departure.^{[4]: 37:16–38:09}

Bob Welch later re-recorded "Angel", "Bermuda Triangle" and "Silver Heels" for His Fleetwood Mac Years & Beyond (2003). A re-write of "Silver Heels" with explicit lyrics, titled "Hustler", appeared on Bob Welch Looks at Bop (1999).^[10]

The cover art was taken by photographer Herbie Worthington using a three-way mirror. It features a shirtless Mick Fleetwood with his chest puffed out and his three year-old daughter Amelia standing on his shoes. Worthington later supplied the cover art for Fleetwood Mac and Rumours. The lace underwear worn by Fleetwood was gifted to him by a close friend.^[3]

More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
AllMusic	[11]
Christgau's Record Guide	B−[12]
Rolling Stone	(positive)[13]
Rolling Stone Album Guide	[14]

Close

Heroes are Hard to Find received mixed reviews upon its release. Rolling Stone believed that Heroes are Hard to Find "stacked up as a pleasant album", and singled out "Prove Your Love" as "exquisitely pretty" and "Come a Little Bit Closer" as "a gorgeous tune reminiscent of the Beach Boys".^[13] Robert Christgau criticized the band for succumbing to pop cliches of the early 1970s, specifically their use of a string synthesizer, pedal steel, and "half-assed horns". He dismissed Welch and McVie for sounding bored and "less than perfect" respectively and labeled Heroes are Hard to Find as their worst album to date.^[12] Retrospective reviews were more positive, with Hal Horowitz of AllMusic complimenting the songwriting abilities of Welch and McVie. He also praised the album for being both "cohesive" and "diverse" and said that it was "a minor gem that retains its effortless pop charms."^[11]

Fleetwood Mac

• Bob Welch – electric guitar, acoustic guitar, vibraphone, lead and backing vocals
• Christine McVie – keyboards, ARP String Ensemble, lead and backing vocals
• John McVie – bass guitar
• Mick Fleetwood – drums, percussion

Additional personnel

• Sneaky Pete Kleinow – pedal steel guitar on "Come a Little Bit Closer"
• Nick DeCaro – string and horn arrangements

Production

• Fleetwood Mac – producers
• Bob Hughes – engineer, producer
• Doug Graves – engineer, assistant engineer
• Lee Herschberg – remastering
• Desmond Strobel – design